The most prolific composer of waltzes for the Broadway theater was Richard Rodgers, who wrote ten of the entries on Disc I – seven from musicals with words by Oscar Hammerstein (1, 8, 10, 13, 21, 25 and 28), and the other three representing collaborations with lyricist Larry Hart (5, 15 and 23). Other multiple tracks come from the pens of Fritz Loewe (4, 14 and 22), Cole Porter (6 and 18), George Gershwin (16 and 21), and Noel Coward (9 and 24).
On Disc 2, which features my favorite waltzes, Irving Berlin composed three of them (1, 26 and 30) in a two-year period. Almost half of the entries are from the ’60s (4, 7, 8, 9, 10, 19, 21, 25 and 27) and ’70s (2, 12, 17 and 23) – more than from the musical decades of the ’30s and ’40s that I usually embrace. My mother, who has just turned 102, is particularly fond of the message contained in Burt Bacharach and Hal David’s What the World Needs Now is Love (27), which she has performed publicly on several recent occasions.
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